Three distinct elements make up this exceptional residence: a Grade II listed double-fronted Victorian house, a disused cattle shed, and the ruins of a 17th-century parchment factory, rumoured in the local village to have produced paper for the royal family. But the factory’s crumbling, ivy-coloured walls were seen as an obstacle by the client, who initially tasked us with their demolition.



We fought to save the ruins, proposing a ‘building within a building’: a Russian doll-like structure juxtaposing the walls’ rugged textural quality with a contemporary modern aesthetic. A glass and Corten steel box extension within the ruin’s walls threads together the property’s three elements, linking the cattle shed to the main house and providing long-ranging views across the Welland Valley. Deliberately lightweight, the extension celebrates the ruins, its raw metal finish reflecting the industrial heritage of the site as a factory.





An underground spring runs beneath the building; its pure waters once fed subterranean baths used to clean animal hides before they were hung up to dry. One of baths has been repurposed into a water feature. The palette of honest materials continues indoors, with lime-washed stone walls, exposed structural beams and timber floors nodding to the location’s past.




The ruin walls, which are a scheduled monument, were repaired only where structurally necessary using stones from the garden; an archaeologist was present on-site to ensure they were not damaged. The ruins now form the bones of the house: as you move through the building’s walls, a timeline of history unfolds, its architectural evolution legible in every step.





Kevin McCloud, PresenterI think this is beautiful, this place. I think it’s beautiful because of the way that it manages two quite competing agendas. One is the historical approach, where everything is conserved and repaired, and there is so much detail there's a danger of it being engulfed by fiddly twiddle.
And the other approach, where the modern is introduced, which can threaten the old, it can be blisteringly aggressive. But here, well, this building treads a fine golden line between them, and the result is something quite delicate, quite romantic in fact.
Awards
RIBA National Award (Winner), RIBA East Midlands Award (Winner), RIBA Small Project of the Year (Winner), RIBA Conservation Project of the Year (Winner), RIBA Stephen Lawrence Prize (Shortlisted), British Homes Awards - Home Extension of the Year 2020 (Winner), British Homes Awards - Interior Designer of the Year 2020 (Winner), AJ (Architect’s Journal) Small Projects 2020 Award (Shortlisted), Dezeen Awards - Residential Rebirth Project 2020 (Longlisted), Dwell Awards - Renovation Project of the Year 2020 (Winner)
Publications
Stone Houses (Phaidon), Brick by Brick (Gestalten), Homes For Our Time 2 (Taschen), Dezeen, The Architect’s Journal, ArchDaily, DesignBoom, Architectural Digest, Architizer, Dwell Magazine, Elle Decoration, Elle Decoration Country, Enki Magazine, SelfBuild & Design Magazine, Grand Designs Magazine, Financial Times, RIBA Journal